Oil On Canvas, Real Flavor of Old Masters

All Antoine Wiertz 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
73452  
Antoine Wiertz s, Antoine Wiertz
 
 Antoine Wiertz s   painting created in 1854 cyf
97946  
Autoportrait a lage de 18 ans, Antoine Wiertz
 
 Autoportrait a lage de 18 ans   oil on canvas Dimensions 81.3 x 62.5 cm cyf
90502  
Linhumation precipitee, Antoine Wiertz
 
 Linhumation precipitee   1854(1854) Medium oil on canvas Dimensions 160 x 235 cm (63 x 92.5 in) cyf
71732  
Reader of Novels, Antoine Wiertz
 
 Reader of Novels   Date 1853 125 x 157 cm
82226  
Rosine at her Dressing Table, Antoine Wiertz
 
 Rosine at her Dressing Table   Medium Oil on canvas Dimensions 156 x 98 cm (61.4 x 38.6 in) cjr
94270  
self portrait by Antoine Wiertz, Antoine Wiertz
 
 self portrait by Antoine Wiertz   1860 cjr
22314  
The Beautiful Rosine (mk19), Antoine Wiertz
 
 The Beautiful Rosine (mk19)   1847 Oil on canvas,140 x 110 cm Musee Wiertz,Brussels
22825  
The Lovely Rosine (mk22), Antoine Wiertz
 
 The Lovely Rosine (mk22)   (Nude with Skeleton),1843 Oil on canvas,140 x 110 cm Brussels,Musees Royaux des Beaux-Arts de Belgique
22313  
The Novel Reader (mk19), Antoine Wiertz
 
 The Novel Reader (mk19)   1853 Oil on canvas,125 x 155 cm Musee Wiertz,Brussels
89996  
The Premature Burial, Antoine Wiertz
 
 The Premature Burial   1854(1854) Medium oil on canvas cjr
92457  
The Reader of Novels, Antoine Wiertz
 
 The Reader of Novels   Date 1853(1853) Medium oil on canvas Dimensions 125 X 157 cm (49.2 X 61.8 in) TTD
91826  
The Suicide, Antoine Wiertz
 
 The Suicide   1854(1854) Medium oil on canvas cjr
94271  
The Young Sorceress, Antoine Wiertz
 
 The Young Sorceress   oil on canvas 1857 cjr
44012  
Two Young Girls or the Beautiful Rosine, Antoine Wiertz
 
 Two Young Girls or the Beautiful Rosine   1847 Oil on canvas, 140 x 100 cm

Antoine Wiertz
Belgian Painter, 1806-1865 Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.



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